Monday, 6 December 2010

Socks*

As I've grown up, my ideas about what it means to be 'rich' have evolved substantially. I don't mean that I've migrated from a materialist definition - big house, smart car etc - to a more spiritual 'Love of the common people'-type definition. Financial assets and possessions remain important, if not central, and only a knave, a fool or a through-going combination of the two -John Lennon, perhaps - would tell you otherwise. Indeed, the 'materially rich/spiritually poor' archetype is not only demonstrably false in plenty of cases, it's a lazy and dishonest construct - a bit like the 'tragic clown' cliche that probably applies to, say, ten per cent of professional comedians.

And the flip of the cliche, perpetuated by, among others, Paul Young, is exceptionally dangerous: it is manifestly obvious that millions of poor people don't have a daddy to buy them a dream to cling to; and, while their momma might love them as much as she can, that might well not be as much as she ought, or as much as they need. The idea that family love somehow compensates for the hole in your shoe that lets the snow come through will only hamper that family's exodus from state-peddled welfare dependency, particularly in those many circumstances where the state accrues to itself the role of father and provider. And let us not pretend that the presence of both daddy and momma gives a child a statistically greater chance of achieving 'positive outcomes.' Etc etc.


Paul Young: a musical cosh for the sans-culottes

Thursday, 2 December 2010

Overcoats: How many? And which?

The narrator of Evelyn Waugh's unfinished novel Work Suspended muses with his lunch companion on how many coats a gentleman needs. Four, they decide, is too many: a man could manage with three.

But which three?


Mr Waugh models one of his choices

Thursday, 25 November 2010

Paternity suits

The arrival of Bumwad Minor has imposed a drastic change on standards of dress in the Bumwad household. Under threat of regurgitation, the look for AW10-11 is 'machine washable'. Out goes the cashmere, silk and worsted, and in comes the lambswool, cotton and corduroy. The Bumwad paternity suit is a pair of baggy and well-worn cords, a fraying shirt and a merino tank-top.


Bringing up Baby: three style icons at the top of their game


Monday, 22 November 2010

Update: Austerity Britain: Turnbull & Asser's online custom shirt

Oh frabjous day! The 'custom' (made-to-measure) shirt I ordered from Turnbull & Asser's online shop has arrived. My Happy Shopper shirt is a fairly heavy pale blue Oxford cloth with cocktail cuffs and the semi-cutaway Regent collar, and none of the optional extras like monogramming, shirt pockets, white cuffs etc.

I wasn't expecting much, to be frank: although I said in the earlier post that there's not much difference between made-to-measure and bespoke if you're a relatively normal shape, I did experience a bit of a rush of buyer's remorse. What if I mis-measured myself and gave in centimetres what I meant to state in inches? I'd be £175 down the Swanee and I'd be left with an item resembling a shirt dress for a capering dwarf (or possibly Suzanne Tully, the small arms expert formerly of Grange Hill and EastEnders).

However, to put the 'Bottom line up front,' as our American cousins say, I'm pretty impressed.

My order was not a particularly demanding brief, but the finished article was exactly as requested, and arrived less than a fortnight after the order was placed - couriered to the door overnight by UPS, even though there was no charge for P&P. So gratification was not deferred for too long.

The order form required a multiplicity of measurements, but there's an idiot's guide which explains how to make them. To avoid attracting comment in the office, I measured myself and, for the trickier question of full sleeve length, I took an old and trusted bespoke shirt. That was a trifle risky, but it appears to have paid off. Although not a perfect fit, the result is certainly much better than could have been achieved from a 'stock special' order, and gives a much better shape than other 'semi-bespoke' options I've tried in the past, even ones involving being measured by a supposedly trained floor-walker.

The shirt is well-finished. There are no imperfections in the cloth - Oxfords can throw up odd little slubs when being man-handled, if for example they catch on a needle or other such point. There are no rogue threads on the seams or meanly-stitched buttons. I've laundered it once and given it a good vigorous ironing, and all is still intact.  The cocktail cuffs are good and deep, and a better shape than those offered by the competition. The collar sits well, although I think I will stick to the standard Turnbull collar on future orders, as the Regent is a bit too severe for my liking, particularly as I don't favour the First Division Footballer knot.

I'll keep you posted on how it survives repeated laundering and encounters with my desktop, and other hazards, but this appears to be an excellent effort by the folks at the Gloucester factory.

Now, the only way you'll find the perfect shirt is by investing a lot of time and money, and accepting a degree of trial and error: there's just no way to replicate online the complex interactions between a customer and a cutter. The online custom shirt route has plenty of risks, not least of which is the question of self-measurement. Certainly it will help if you know your shirting cloths and what you'll be doing in the finished item and where - you can't handle the online swatches, of course, so you need to know your poplins from your voiles from your twills  - and you really need to understand the structure of a well-fitting shirt - how much room you need around chest, arm-holes and waist for comfortable movement, what kind of length is practical etc.


But if you are fairly confident, have no outrageous demands and want to cut corners while retaining the imprimatur of an established shirt-maker, this is pretty good value for money.

Monday, 15 November 2010

Short hiatus

Mrs B and I were on 9 November blessed with further issue, a second girl. Normal posting will resume in a few days.


Joy to the world

Friday, 5 November 2010

Trouser journalism: the luxury goods handout

A classic example of 'lifestyle' churnalism from the Spectator this week, in the form of its occasional Luxury goods handout. Granted, it's slightly better quality than the pizza takeaway and airport taxi flyers that are stuffed daily into the letterboxes of most London houses; but of somewhat less use, consisting as it does chiefly of articles that are strongly redolent of the press release.


The best things in life are free...

The Spectator Magazine
... but so are some of the most pointless and irritating

As with most such productions, indeed with much of what passes for modern life, 'luxury' is here used merely as a synonym for 'expensive'. Seemingly little thought has gone into explaining why the products being hawked are to be considered 'luxuries,' nor much space given over to reflecting the impact upon the retail prices of the manufacturers' marketing budgets, necessitating as they surely do the donation to cob journalists of many such items or services for free.

After one has finished looking at it - you don't really read these things, after all - one is left asking 'Why?' The Spectator is a political newspaper with a well-curated arts and books section. If, for reasons of penury, this sort of consumerist advertorial nonsense must be done, it should at least be done well. Yet far from applying an identifiably Spectator sensibility to the task - say, Charles Moore on tweed cycling capes, Rod Liddle on gentlemen's 'grooming' - it appears to have been dictated by which 'purveyor of luxury goods' could proffer the most attractive freebie and as a result has no discernible editorial character at all. It could have been assembled as a work experience project at any number of journalism colleges, or it could be an upmarket version of the Inventions catalogue. It must be targeted at the same 'space' as the FT's 'How to spend it,' but it lacks the clarity or the production values. Although, mercifully, it contains no insufferaby smug and interminable articles on expensive watches by Nick Foulkes.

We are, however, treated to the views of some breathless ingenue on the craftsmanship or otherwise of Charvet's shirts. True to form, the article merely asserts that Charvet is 'the place' to buy shirts, drawing as it does so exclusively upon the unchallenged opinions of the owner. Its one attempt at argument is the appeal to the celebrity fallacy (the most ubiquitous version of the appeal to authority).

Incidentally, I once owned a Charvet tie. The only time I wore it I was caught in a light shower on Whitehall. The dye - it was a deep red - ran, staining my shirt. I have literally never heard of that happening to a tie. Astonishingly bad.


A light shower in Whitehall

By way of recompense, there is a refreshing acknowledgement of the pointlessness of the exercise in the one genuinely interesting article, on Laver's Law of Fashion, in which the author - Laver's grandson - acknowledges that most Spectator readers are in their clothing decisions more concerned with longevity than 'luxury'. And even then, in the accompanying diagram, the editors manage to fuck up the time-line and the caption, reversing the middle third of the stages.

We are then treated to a criticism of politicians' dress sense from a woman called Celia Walden, whose authority on anything to do with the exercise of judgement is surely undermined by the fact that she is married to Piers Pugh-Morgan.



Celia Walden: Authority and attractiveness
undermined by marriage to Piers Morgan

One other exception to the rule of general uselessness was Damian Thompson's entertainingly waspish review of James Sherwood's recent coffee-table book Savile Row: The master tailors of British bespoke. However, it seems likely that the review was written for the magazine itself - the book was published last month - and has been transferred to the supplement to act as a sort of intellectual ballast, to counter the witterings of the other 'contributing editors' (or 'writers' as they were once known). As Mr Thompson accurately explains, this is intended as a Christmas present for the discerning homosexual man in your life. I imagine the book covers a fair amount of ground that was in Mr Sherwood's earlier book The London cut: Savile Row bespoke tailoring, as there are only so many things you can say about a craft that moves as glacially as bespoke tailoring. Maybe he has had some new pictures taken, but I'd spend the £45 on a cotton pocket square from Hermes.

And Taki's piece on the manners of the nouveau riche, which was quite funny.

Shirt-makers: Some thoughts

[Note: This post is based upon the 'shirts' section - now extracted - from the post originally called 'Symmetry'. The post had become too long and unwieldy.]

Bargepole (Michael Bywater) once remarked to the effect that the test of a good shirt-maker is that one should be able to walk into the shop after three large martinis and emerge bearing items that when worn will not make you look like a regional BBC TV presenter. While Ian Masters remains in many respects a model citizen, he offers no suitable guidance for those in need of sartorial advice - except, perhaps, 'go thou and do otherwise' aka 'the Alibhai Brown fallacy.'


Pockets
Much piss and wind is expended in some style blogs about the far-from-crucial issue of whether to have a pocket on a shirt. I have no fixed views on this matter, although I am aware it excites some people to paroxysms. Such shirts are probably not suitable for business attire, but then, in my view, neither are khaki 'slacks' or cardigans, yet those items excite no similar apoplexy.

To be sure, pockets break the symmetry of a business shirt - but that scarcely matters if one keeps one's coat on. And the outbreast pocket of the suit coat is equally asymetric, and the ticket pocket, come to that. The traditional objection - 'What would you keep in it?' - is perhaps more plausible, but that functional criticism applies to so many vestigial details of modern clothing, from the buttons on the back of a morning coat (although not mine, which are of course functional) to the trouser turn-up and the cuff button, so that cannot itself account fully for the violence of the belief.

No, the no-pocket 'rule' is a form of snobbery, thoughtless in the worst possible way, that has its origins in the preservation of distinction between the manual labourer or tradesman and the professional classes. Yet pockets are perfectly acceptable on casual or working shirts - garments in which one might garden or paint watercolours, and where one might need to keep one's cigarette lighter to hand; and if one were to choose to wear a button-down collar, a pocket is de rigeur. Bear that in mind, and, if you fear being mistaken for a carpenter or wish by your appearance to communicate your professional status or aspiration, then act accordingly. I will neither condemn nor applaud your choice.

Incidentally the officers messes of many army regiments consider the pocket issue for some reason to be a major faux pas. The prohibition on pockets is applied with such zeal by many subalterns, particularly in cavalry regiments, that anyone wearing a shirt with a pocket is liable to be man-handled, the pocket forcibly removed. Often the victims of this boorishness are members of the mess attached from the support arms.



The Emelet was wearing a shirt with a pocket!

This seems to me to represent the sort of dogmatism that is born of ignorance, and quite wrong-headed. It would of course be unnecessary were the old practice of dressing for dinner observed, but very few regiments still do this. Now, one ought not to present oneself for dinner clad for the compost heap, but if the regiments in question are content to dine in business attire, it is absurd to isolate a detail of shirting and construct it as a shibboleth.

Apart from the illustrating the occasional brutalities of the pack, this demonstrates the universal human need for boundaries, and the crisis of authority that results when they are absent. When traditions are relaxed, eroded or wilfully abandoned - in this case, the requirement that all officers dress for dinner in black tie - man will flounder and resort to creating for himself his own rules ex nihilo, which, divorced from their proper historical and social context, are arbitrary and, under malign influence mutate rapidly into violence.

And, strangely, many young officers see nothing inherently wrong in wearing velvet coats to dinner when guests in other regiment's messes, and would goggle at you in mute, tongue-flapping incomprehension if you pointed out their error.

Bespoke
If you can afford it - it is certainly an expensive luxury - bespoke shirts from a proper English shirtmaker are really the only option. 


Evelyn Waugh: a Turnbull & Asser man

Most places require a minimum order - three is typical but some places ask for five - and starting prices are around £175 for a generalist men's outfitter like New & Lingwood, and considerably more for a proper shirtmaker like Turnbull and Asser or Mrs Willis.

A recent but notable arrival is Sean O'Flynn, on Sackville Street, formerly a head cutter at New & Lingwood and apprenticed at Huntsman. I haven't ordered from him, and don't be put off by the big fat tie knot he's wearing on his website: I have heard uniformly excellent things about his work. Incidentally, most tailors will have a pet shirt-maker, if they don't themselves offer (and probably sub-contract) the services, so you should probably seek their advice.

Another more below-the-radar guy is Frank Foster. Appointment only and no retail space to speak of, and consequently slightly cheaper, with starting prices around £150, and a five shirt minimum order.

If you need persuading to part with such sums, you could justify it as a 'sustainable' option, supporting as it does native English craftsmen, and providing a bop on the nose to upstart foreigners like Duchamp and Charvet. And you can easily spend more than £200 in somewhere like the menswear basement of Harvey Nichols on a vastly inferior Indonesian-produced item, every bit as shoddy as a garment selling in Gap for a tenth of the price.

Shirts and suits
On most occasions, button-cuffed shirts work best with single-breasted coats (the rule of odds and evens again). These can be of a single or two-button fastening cuff, the three-button barrel cuff associated with Turnbull & Asser, and the cocktail (or Portofino) cuff, associated commonly with Sean Connery’s James Bond, and almost certainly a Turnbull innovation. The latter is my favourite.
Fit


The cocktail cuff in action
Similarly, double-breasted coats justify double (or ‘French’) cuffed shirts. Double breasted coats look absurd with single cuffed shirts, and even the cocktail cuff looks a bit odd.
As an aside, a character in Philip Hensher’s witty nineties novel Kitchen venom observes that double cuffs with a single-breasted suit make you look like a pimp. I tend to agree. You might, however, get away with double cuffs if you wear a three-piece suit, particularly if the waistcoat has adornments such as lapels:


Single-breasted, double cuffs: Seymour Goldfarb Jr; heir to the Goldfarb Girdles fortune.

The cocktail cuff is a compromise that is both smart and simple - no cufflinks required - and looks good with two- or three-piece single-breasted suits. 


Single cuff, single-breasted. Dashed smart.

'Casual'
The need for coherence and proportion - see 'Symmetry' - applies in all modes of dress, from the high formal to the low domestic comfort-wear.

A particular bugbear of mine is the wearing of double-cuffed shirts with casual trousers – especially jeans. It is a violation of logic. The degree of effort required to fasten cuffs with a silver (or, in some regrettable cases, gold, crested or even jewelled) chain-linked cuff-link jars violently with the casual aesthetic of the jeans. The wearer wants to be thought of as casual - "Hey! I wear jeans! I'm hip. I'm 'with-it'." - but betrays a stunning lack of attention to detail. Frankly it's the sort of rig suitable only for a money-grubbing prime minister vacationing at a Bee Gee's holiday home, and need not concern serious-minded types such as ourselves.

(In fact, a good guide to informal dressing is to search for 'tony blair holiday' on Google Images and do the exact opposite of whatever turns up.)

A similar absurdity is the laboured informality of wearing a suit without a tie - or even without socks. The tieless look is much favoured by the Eton Grocer (H/T James Delingpole) and his alleged Conservative Party, populated exclusively by former PR hucksters and their bespectacled inky swot peers from think-tanks. Presumably they think it sets them apart from their 'stuffy,' 'buttoned-up' oppressed/repressed and oppressive/repressive predecessors, when in fact it makes them look like a gang of IT consultants on an overnight course at an executive conference facility near Newcastle who've just been ejected from a lapdancing club for trying to grope the hapless students being paid to simulate pleasure at the prospects of being leered at by drunken worker drones. 

Socklessness is boil-in-the-bag eccentricity which, as well as being tiresomely attention-seeking, is inconsiderate to those for whom the sight of an exposed and hairy male ankle is at best disagreeable. At least there is the possibility that those who indulge this ludicrous affectation might get blisters for their efforts. Often one finds that people practicing this also wear cufflinks. So let me get this straight: you exert yourself to put on cuff-links, but you think socks are oppressively formal. Ri-ight... That is an act of such self-skewering absurdity that they should be ignored if not actively man-handled.

In my experience, practitioners were probably the sort who, at school, wanted everyone to think they were too cool to have made any effort, but actually expended more time and energy trying to look relaxed than if they'd just put their socks on in the first place. We all know the type.

Look East? Look like a twot, more like.

In the US there is an entire folklore about shirts - I expect it started as a marketing gimmick by Brooks Brothers - covering business wear, casual wear, button-down collars, polo shirts, pockets etc. If you can find it, it is an interesting insight into the way people are told what to think; but, as with most sets of rules, they are for guidance only.

Here are a few principles:

- Stick to classic cloths, patterns and styles
- Stick to simple muted patterns: plainer shirts are more versatile and have greater longevity than 'fashionable' versions

- Avoid gimmicks like contrasting button-holes or fancy collar and cuff linings. That sort of thing is classic 'Look-at-me Piglet' behaviour
- Don't wear a shirt darker than the cloth of the suit you are wearing...
- ... and don't wear a shirt darker than the tie with which you will wear it
- Stick to good-quality English shirtmakers, and, once you understand the grammar of the well-made shirt, you can make more educated assessments of alternative manufacturers if you want to go off-piste

The 'Jermyn Street' shirt
The traditional shirt  will be made from natural fibres - two-fold cotton poplin being the standard and will have:
- a multi-piece collar (usually described as 'two-piece' to distinguish from the 'rollover' collar, but in fact the collars of good shirts will consist of about fifteen separate pieces of cloth)
- Removable collar bones
- A split, two-piece yoke (the panel across the shoulders)
- A turned placket (the bit at the front through which the buttons protrude)
- Mother of pearl buttons
- Two shoulder pleats
- Generous tails (for tucking in, and providing additional cloth of similar age and wear when turning collars and/or cuffs)
- The 'butterfly gusset,' which is more complicated to make and stronger than the alternatives

All patterns will be matched at the seams.

Other smaller details:
- Typically there is an additional lateral line of stitching on the inside of the collar, to maintain the shape
- The parallel rows of stitching on the placket will be set much further in from the edge, running much closer to the button-holes
- The collar stitching will be inset by about 1/4"

A warning
Unlike wine, cheese or meat pies, there is no discernible mystical effect of terroir on the manufacture of shirts. The same is true of bespoke tailoring, of course, but far-sighted tailors have founded the Savile Row Bespoke Association to protect the Savile Row and bespoke terms from the depredations of modern menswear retailers who offer perverted and sub-standard forms of 'bespoke' tailoring that really does violence to the concept. All Savile Row Bespoke members must sign up to the terms of the charter, and one of them is that they must make their stuff 'on the row'.


Sadly, in spite of the odd outburst of enthusiasm, there is no trades guild that protects the Jermyn Street name or brand. No such rule about location could practically be applied - there is not enough space to carve out workrooms, and commercial rents in St James's would prohibit the necessary expansion for all but the richest firms. As a result, the term 'Jermyn Street' and 'shirtmaker' is open to some serious abuse. To be sure, while the best shirtmakers retain factories in Britain - notably in Kent, Gloucestershire or Aldergrove in Northern Ireland - and all their bespoke work will be done by hand, it is not done 'on the street'. Moreover, many retailers calling themselves 'Jermyn Street shirtmakers' do not make their stuff in the EU, let alone the UK. In fact, if 'Jermyn Street shirtmaker' has no fixed definition, the term 'made in England' is an equally elastic concept, and could easily refer to a shirt made almost entirely in Indonesia, with only the buttons added in England.

Now, there is nothing wrong with cutting manufacturing costs and passing them on to the customer (or consumer). But it is one thing to seek economies, and another to insult the intelligence of prospective clients. As a rule, for all the waffle about 'highest standards' and 'traditional craftmanship,' unless the shirtmaker specifically states that their work is done in the UK, it almost certainly won't be. So these 'traditional English shirtmakers' are exhibiting at best a tangential relationship with the truth, and should more accurately be described simply as 'shirt shops in England'.

It is now acceptable for retailers to sell 'bespoke' shirts that really strain at the boundaries of the meaning of the term. These will, in a low light, with the sun behind them, to the untutored eye appear to resemble a traditional Jermyn Street shirt. However, these will almost invariably be made in a piss-soaked sweatshop, by a semi-trained worker, finished to low standards and will be prone to disintegrate after even the lightest ironing.

Cost versus value
It is still generally true that you get what you pay for - up to a point: I contend there is a sort of 'zone of value,' and, for basic ready-made shirts you almost certainly have to spend not less that £60 to get a good-quality, English-made example. Anything less (and I'm looking at you, Mr Lewin, Mr Fuckwhitt) will certainly involve compromises, of cloth, craftsmanship, source, finish or longevity. However, if you spend more than £120 on ready-made shirts you are unlikely to get a shirt that is twice as good. If you are getting four shirts for £100, ask yourself what the catch is. (Of course, you might not see it as a 'catch'. But then if you care so little for your accoutrements you are hardly likely to have read this far. Now are you?)

Beyond £100, the relationship between outlay and quality goes haywire; and if you buy from a non-specialist  but well-known 'fashion designer' you might pay much more for a vastly inferior item.

This cost-benefit analysis will with time be influenced by matters of personal preference. Hilditch and Key are a proper shirt-maker who make excellent quality shirts in England and they can be bought for £85. However, the fit and the style are not to my taste; so, if I were to buy ready-made shirts, I would rather have three shirts from Turnbull than four from Hilditch.

Most shirtmakers' ready-made stock caters for the ampler figure of the sedentary worker or the never-knowingly-under-victualled habitues of clubland: the body of the ready-made shirt will billow somewhat if, like me, you are of a fairly slim build. If you cannot bear the sight of the folds of cloth gathering at your waistband, your first recourse need not, however, be to engage a bespoke consultation. Several of the better shirtmakers do 'slim fit' shirts, of which Hilditch and Key and Emma Willis are the standouts; and Turnbull and Asser's standard shirts have a slightly more tailored finish than many; and most shirtmakers still offer a 'stock special' option, whereby a narrower, though still standard, body can be achieved.
Whatever some French chemisiers might assert, Jermyn Street remains ground zero for bespoke and traditional ready-to-wear shirts. There are other places to buy good-quality shirts, to be sure, but this is the place to start.

Wednesday, 3 November 2010

Update

I have made some minor amendments (for clarity) and additions to the 'Symmetry' post - easily the least-read and by common consensus the least entertaining. The changes do not make it much funnier, but there is a few more pictures.

UPDATE to the Update: I have split the 'Symmetry' post, filing the section on shirts as a separate post.

'Austerity Britain': Turnbull & Asser's online custom shirt

Following my whine yesterday about the exorbitant prices of shirts, I find that Turnbull & Asser now have a 'custom shirt' service on their website:
http://store.turnbullandasser.co.uk/Custom_Shirt

They give cocktail cuffs (which they call the '2 button turnback') as an option, unlike Mrs W's similar online sub-bespoke service. It necessitates some self-measurement - sleeve length, seat, wrist circumferences),- but gives explicit instructions in how to do so. The number of measurements ought - ought - to give a more correct fit than the basic stock special option.


Hello? Mr Asser? I'd like some more shirts.

I have tried both full bespoke and the somewhat cheaper 'stock special' options at Emma Willis. As a person of pretty standard build, I'm not entirely convinced that bespoke is worth the difference in price, and Mrs W's 'semi-bespoke' option is pretty much indistinguishable from the bespoke product.

Bespoke is the right job if one is some kind of Brobdingnagian monster, a stump-legged capering dwarf, or some hideous mis-shapen offence against God - or have the sort of exacting requirements associated with the newly-enriched ('I want ten of them ones. In platinum. But plated in silver. With a mink trim. And a quail's egg pocket, covered in caviar.'). But, for the price-sensitive family man of moderate proportions, 'custom made' is probably the perfect option.


I said I wanted Sea Island! You given me Swiss cotton again, you half-wit!

Both 'custom' and 'semi-bespoke' (and 'baby bespoke', a term that the menswear shop New & Lingwood adopted a couple of years ago) are pissy euphemisms that owe much to the manipulative and deceitful shysters in the style press who insist on saying 'vintage' instead of 'used' and 'dark chocolate' instead of 'plain chocolate', and no doubt refer to their time-share flats in the Algarve as 'luxury apartments' in 'seasonal ownership'. 'Semi-bespoke' makes as much sense as being 'half-pregnant'. And I believe that, in the US, 'custom' is effectively synonymous with bespoke, which further muddies an already deliberately opaque issue. 

Anyway, in the interests of research, I intend to order a shirt and let you both know how it turns out.

Tuesday, 2 November 2010

Inflation: The shirt on my back

I'm not normally attentive to consumer inflation and can never remember what a loaf of bread costs from one week to the next, let alone in comparison with a year ago. However, of late I have been forced to confront some painful economic realities. Like most commodities, a healthy bubble was forming in cotton prices, which hit an all-time high in 2008, then promptly fell off a cliff like everything else when people started asking 'But who's going to pay for all this shit?' Good news for the sartorially minded, you might think.



But no. Encouraged no doubt by the US government's ZIRP, the endless capacity for Turbo Tim and Black Hawk Ben to sweep it under their inner carpets and keep hitting 'print' like pellet-happy lab-rats, and the desperation among investors to find some kind of asset in which there is more than 0% return, cotton prices exceeded the '08 tops earlier this year and have since just kept going.

This has had a tangible and regrettable impact on the Wonderful World of Bumwad. In about 2004, Turnbull & Asser charged about £80 a pop for their off-the-shelf poplin shirts and £120 for Sea Island. This was at a time when Thomas Pink was around £65, for a distinctly inferior product, made in God-knows-what part of the Warsaw Pact.

Now, following yet another surreptitious price hike, Turnbull are asking £135 for the same shirt and £190 for Sea Island quality - and that is despite what appear to be slight alterations in manufacture (the collar band no longer has a central, lateral line of stitching) that could have been occasioned by costs.

Ditto for the lovely Mrs Willis, who has just raised her prices across the board. Not many years ago, her stock English cotton shirts were about £80; Swiss voile were about £95. When, having moved up in the world a notch or two, I ordered my first batch of bespoke shirts from her in 2007, they were £200 each. Now, her ready to wear shirts are £140; stock specials are around £190-290, and bespoke is £240 plus - and an eye-watering £350 for Sea Island.

Alexandra at the shop tells me it is not related to the recent poor cotton harvest in the US, the Asian subcontinent and Egypt. The resulting price hikes might indeed affect the margins of the lower orders of shirt-makers, but Mrs W's factory uses mostly Swiss and Italian cottons; and apparently much of the shortfall was made up by a bumper crop in Brazil. So the most recent increase was because they hadn't reviewed prices with suppliers for a couple of years, and the retail prices were becoming unsupportable. I can only speculate, but perhaps the continuing weakness of the pound sterling against the Euro plays a further part; and commercial rents in central London have of late been going up. Or perhaps Mervyn King - a man in a seemingly perpetual state of surprise about inflation - does her books.

Now I'm no opponent of austerity, and will happily surrender the absurd benefits granted under the Blair-Brown tyranny that were nothing more than painfully transparent attempts to bribe me with my own money. I'm ready to play my part, and admittedly this is scarcely a hard-luck story guaranteed to stimulate the already hyperactive lachrymal glands of the BBC News home affairs team. (Although, in his role as champion of the squeezed middle, I suppose the Rt Hon Edward Miliband might use my case to make a point at PMQs.) If I'm going to the soup kitchen, I want to look like I don't need to be there. Mrs W can relax for a little while longer: I have no intention of buying my clothes from outlet stores like Thomas Pink, Lewin or Charles Fuckwit. 'We're all in this together,' I suppose - but that should not apply to our shirts.

But I do wonder if Mrs W realises that a significant component of my loyalty to her derives from her fragrant demeanour and the prospect of a sympathetic smile on my occasional visits.


You get further with a kind word, a gun and some well-polished riding boots
than you do with just a kind word

I have no wish to drive her to penury, her children to the workhouse; but frankly, if she doesn't start putting in more time at the shop, I might have to move next door to Turnbull - where many of their floorwalkers appear rather more liberal with their attentions.

Friday, 29 October 2010

The public and the private: of slippers and smoking jackets

A few years ago, when staying in New York for Old Masters’ Week – my erudite reader will know this occurs in January – I was struck by a man of irreproachable dress wearing upon his feet a pair of house shoes – in the vernacular, ‘slippers’ – in the traditional Albert style.




"I think not, sir:  they appear to have writing on them..."

This is not in or of itself remarkable. I own two pairs myself, both velvet; one a deep red, maintained at the ancestral home in rural Norfolk, the other a pair in midnight blue, worn when at home (and At Home) at Bumwad House, W6. And very practical they are too – the welted leather sole does not collect or transfer fluff, dust or leaf-mold, which appeases Mrs B’s instinctive protectiveness towards our fine carpeting; and, correctly maintained, the pile of the velvet, with its short, rigid fibres, protects the feet from spillages of hot liquids (e.g. Gluehwein) or from the possibly corrosive effect of an inattentively-stirred dry martini.

Nor was it remarkable that the fellow had selected a stout, hard-wearing tweed, of a lovat green base with, if I recall correctly, an orange window-pane over-check – an admirable, if somewhat eccentric, choice of cloth for a shoe. Clearly in this case ‘eccentricity’ or otherwise is relative: wearing a house-shoe is anyway a practice about which we ought not to expect the man on the Clapham omnibus to have fixed or considered views; and if we can't be a little different in the privacy of our home, where can we?

No, what was remarkable was that this fellow was not in his parlour, reclining on a day-bed, with an improving book and a cup of tea, but striding manfully – or as manfully as his footwear would permit – across Fifth Avenue.

In a blizzard.

In broad daylight.

The only other person I know who wears slippers in public is called Angry Dave. Angry Dave is an active and enthusiastic member of Norwich’s open-air wine tasting society, a somewhat exclusive fraternal organisation, much given to bouts of self-fighting and public anguish, usually in the mid-afternoon subsequent to receipt of their giro. A man of certain, if volatile and occasionally incomprehensible, passions, he is often moved to share his thoughts by a passer-by’s refusal to ‘gimme a pound fer a… fer a… cuppa tea… ya fukka…’

Be that as it might. Given the hand which fate has dealt him, and the weighty matters to which he must regularly attend, men like Angry Dave can perhaps be forgiven a certain looseness in their embrace of the customs of normal life. He had always to me seemed something of a unique case – a maverick cocking a snook at society's mores, and whose choice of footwear, every bit as much as his predilection for pissing his trousers in public or wanking near the Edith Cavell memorial, reflects this contempt for convention.

Yet here, in central Manhattan, was an otherwise elegant man, apparently of some considerable means and discrimination; probably en route to a viewing at a dealer or auction house; whose choice of footwear was unlikely to have been made under pressure of time or limited resources. In other words, he was almost certainly not a piss-soaked tramp about to embark on an energetic burst of far-from-discrete self-abuse on the steps of a major public building, and who was in the grips of a cider-fuelled frenzy forced to grab the first shoe-shaped objects as he dashed for the door.


A member of Sotheby's Young Collectors, apparently.

Here was an otherwise normal man who had decided that it was appropriate to wear his slippers in the street.

This was something new indeed!

I was tempted to remark to myself “Tchoh! Only in America!” - but fear of both cliché and prejudice prevented this ejaculation.

My caution was justified some months later, when I noticed, on one of my occasional walks through St James’s, a young gentleman, dressed otherwise as an adult, in the well-built suit, clean shirt and subtle tie typical among the workers of that borough, sporting on his feet a pair of black velvet Alberts, adorned with a skull and crossbone.

This was reinforced, some time after, while waiting at a departure gate at Gatwick airport in high summer, and I glimpsed another young man wearing a pair of dark blue Alberts, similar to my own, as he waited to board his flight for northern Italy. Perhaps, I pondered, the fellow was bound for a spell at the Villa San Pietro as a guest of the Actons, and, frustrated by the demands of airport security, had decided that a slipper was a practical and stylish alternative to the simple loafer. Who knows? Or dares to imagine?
You came here in *those* things? My dear, you're braver than I thought.

Clearly this habit was no longer confined to our cousins on the other side of The Herring Pond, and was, if not yet a pandemic, spreading - like the sub-prime mortgage crisis, TV commercials and nylon stockings.

Now, such items have for donkeys’ years been available from most gentlemen’s outfitters in central London, and latterly available online from such retailers as Shipton & Heneage. They are made by Messrs Bowhill and Elliott of Norwich, whose factory, I believe, supplies most of the London shops. (Their January sale used to be a clever way to pick up beautiful if more or less useless oddities, such as patent dancing pumps with silk bows, for absurdly low prices.) In addition to the better-known boot-makers, they are sold by such general menswear retail outlets as New & Lingwood. I’m sure, if you could bring yourself to cross its threshold, you would find them in Harrods.


The basic Albert house-shoe is available in a bewildering variety of materials and decoration, from the velvet, patent leather and tweed already noted, to plain calf leather and even black suede. Some places will undertake to make them in any practical material you care to supply, and can adorn them with embroidery in gold thread, silk, cotton or what-have-you in almost any design – heraldic, zoological, floral or, if you must, with writing on them.


And, if some of these models could appear slightly naff, most of them can look jolly smart - at the right time and in the right place.

And surely the place for a house shoe is the domestic home.

I hate to be proscriptive (who am I kidding? I love it.) but my suspicion of people who wear their house shoes in public extends also to those who would wear velvet coats - a smoking jacket or the more structured form of dressing gown - outside their own home. This is much more prevalent, and has been influenced by the rash of high street 'masstige' outlets that offer a sort of unhappy compromise between a smoker and the archetypal geography teacher's sports jacket; and places like Favourbrook - once an interesting place, now reduced to the status of purveyors of 'formal-wear' to people for whom a first division footballer's wedding is the acme of sophistication. These garments appear particularly popular with the yocto-celebrity inhabitants of the society pages of Grazia and Heat, particular in the season of Advent.

Indeed, at a Law Society dinner last year I glimpsed a man wearing both house shoes and a smoking jacket. In isolation, there is coherence to this outfit, and jolly fine items all; but, unless the fellow lives in the same block of the Inner Temple (he did not), he had padded around the district dressed as though for his couch, which surely would be grounds for a quiet word from the head of chambers.


Mr Ryder, showing us how it should be done - in the privacy of his home

------------

In Men at arms, the young Halberdier officers under training in Guy's 'batch' are not permitted to appear in public without their gloves fastened. Any officer seen fastening their gloves on the steps of the mess were liable to be sent back inside to get dressed.

A theme commonly rehearsed by those dissatisfied with contemporary life is that the lines between the public and the private spheres are ever more blurred. To be sure, in the modern world privacy is much harder to maintain, for example amid the rise of social networking, and the ever-greater appetite of our state and our consumer industries for our personal information. This is a regrettable development, not least because so many people happily conspire in that erosion, volunteering almost indiscriminately to part with huge amounts of information about themselves - information that our predecessors would surely have felt were not for public consumption.

Sadly in turn it seems that those happiest not merely to tolerate intrusion but to satisfy and in some cases pre-emptively to exceed the demands, and who seek instead to impose their private selves unbidden upon the public space, are often those who are temperamentally or aesthetically the least suitable to do so. Some things which should remain private are broadcast relentlessly – for the ‘validation’ of self that comes from acknowledgement by ‘peers,’ regardless that acknowledgement is often highly passive – a ‘follower’ on a blog need not do anything, any more than a ‘friend’ on Facebook need discharge the customary reciprocity of hospitality or other wider responsibilities implicit in the term. And when people are happy to make public property of their private space, they feel free to demand the reverse, to impose on the public space standards of conduct suitable only for the private sphere.


Love the cuffs, Manolo - but WTF have you got on your feet?

A logical consequence of this failure - or refusal - to acknowledge boundaries of behaviour is that boundaries of dress are eroded in their wake. Another theme of this blog is that our dress is likely to be an extension or reflection of our private values – and, if it isn’t, it f***ing well ought to be; and that, to an extent, our behaviour is likely to be influenced to some extent by our dress, and other people’s perception of our behaviour almost certainly will be.

So what are we to make of the psychological health of someone who chooses to go shopping in a pink velour tracksuit? What do we deduce about her concern for her fellow citizens, forced to regard her figure in all its undisciplined form? If we are fortunate, her body will not have been excessively ravaged by gravity and time, and we might enjoy, fleetingly, the taut bounce in her buttocks as she pushes her trolley, even if, frankly, ‘she’s not my type’. But more likely she will resemble a deflating carnival balloon pig, and instead of a pert tremor, we will be lucky to emerge from the fleeting confrontation without being confronted by expanses of undergarment; if unluckier still, we will be treated to a view of her arse cleavage, perhaps even, God forbid, of an even more southerly portion.


This is not a typical Juicy Couture customer

And what might we think of the fellow who wears his house shoes in the street - even if that street is as grand as SW1 or Fifth Avenue? We might be thankful that what survives of his sense of discretion permits him to import only his footwear from the private to the public sphere, and that we will be treated to no inadvertent (or deliberate) glimpse of his pants or their contents.

This disregard for boundaries might make him or her feel better, or ‘validated’; but it makes every right-thinking person sick to the stomach. It might allow the man a sense that he is 'different', a daring sartorial pioneer, announcing, like Angry Dave, he is beyond conventional considerations. A man of sounder mind will look at him say 'Look at that frightful ass swanking around in his slippers. Did you ever in your puff see such a perfect perisher?'

Men like thee and me might know where to draw the line, and have no intention of straying further into sartorial anarchy - but can we trust the masses to behave with similar restraint? Just as the average Joe cannot be trusted to control his appetite for self-gratification, leading him inevitably and inexorably to the crack-kitchen, he cannot be expected to control his baser instincts in dress; and must be protected, not by legislation, but by subtle persuasion, from his folly. If we allow men of education and, presumably, some clarity of thought to violate decency in this small way, where do we draw the line? How can we decently upbraid - as we surely must - the slob in his or her leisure wear, their surface area spilling out over the airliner or cinema seat? We need not be as dogmatic as a Halberdier officer, but, if we are to remain sane, the boundaries between public and private must be observed.

Fortunately, the slipper-in-the-street phenomenon is in its infancy, which represents an opportunity that we must seize, before its baby-steps develop into strides, and those less constitutionally equipped to handle autonomy start to wear their pyjamas to work: it can be checked. The passive, exemplary approach is of limited use in these circumstances, and drastic steps are needed. This is no time for sitting idly by as what remains of the higher order goes to Hell in a handcart.

So the next time you see a man padding round Piccadilly in house-shoes, tap him lightly on the shoulder and have a quiet word. Tell him your Uncle Beau sent you.

Pip-pip!

Wednesday, 27 October 2010

Try if you can/To walk like a man

I live in one of the more family-friendly parts of London, often referred to as Nappy Valley, in tribute to the fecundity of the residents – the Bumwads, God willing, included. It is not the original Nappy Valley, which lies somewhat further to the south-east, beyond the river, but our area forms part of what, with my New Testament studies background, I fancy is cleverer to refer to as the Fertile Crescent, extending from Toby Young’s corner of Ealing, through Chiswick via Hammersmith and on over Putney Bridge to Clapham and Battersea.


Adults dressed as children: the blue remembered hills of west London

These are the parts of London populated for the most part, like the ‘Balham’ of the Peter Sellers monologue, by a “happy and contented people”. It is in places an interesting - the estate agents' euphemism is, I believe, 'vibrant' - area, but the most visible inhabitants are the middle class professionals. These are people who, a generation ago, would have owned a small town-house in Kensington or Chelsea, but priced out of those postcodes – W11, W8, even W14 and SW7 - where houses are now unaffordable if you’re not a banker on an expat package, now dislocated and disorientated by globalisation and washed up in unglamorous postcodes – SW6, W5, W6, W12 – where they leave their mark by importing branches of Fait Maison (whose motto might be “a touch of Kensington on the Goldhawk Road”) and their insistence that the local schools teach basic literacy and numeracy.


The District Line platform at Earls Court, W5

In less obvious numbers are the tenants in local authority housing – for some no doubt laudable but unexplored reason they are no longer called ‘council houses’ – whose dwellings, in terraced houses almost infinitely subdivided into rooms within rooms, are distinguishable from the privately-owned homes because their ground floors have net curtains in the windows instead of those vile plasticised wooden shutters or opque sticky-backed plastic film - and, let us be frank, by their skin tone. Here also are pockets of guests, invited or otherwise, some from those parts of the globe where British forces have in the last twenty years or so been rushed in on the errands of optimistic fools, adventures exploited latterly to provide a fig-leaf of humanitarian credentials to justify the more 'kinetic' adventures in social engineering in more minerally-blessed regions.

Other residents are here because the ‘civilised,’ ‘moderate’ and 'decent' social policy of previous governments - as opposed to the uncivilised, ignorant, extremist and barbaric policies of every government prior to, ooo, about 1997 - demanded for their sustainability a healthy and visible ‘diversity’ of appearance among our island population, to sustain the fiction that Britain has a long tradition of 'welcoming' huge intakes of visitors from overseas and incorporating them without social upheaval. The economic and industrial policies of those same governments have ensured that the only way to support the ‘living standards’ of the modern Briton [sic], who is for the most part too stupefied by drink and drugs or enfeebled by a devotion to pornography, to summon the ire to procreate, is to import the labour, re-distribute it in pockets hither and yon, and not enforce too strenuously the observance of regrettable formalities such as visas.

Here, in my beautiful neighbourhood, a man may, as his circumstances dictate, sit in his front room, scratching himself to the heady tinnitus of some cutting-edge dub-step, with a tin of Hawk in his hand, pausing only to bray the kids - or, like your author, lounge languidly in the parlour and regard from behind a copy of The missing will and those afore-mentioned shutters, with a glass of something from the Cote d’Or delicately balanced between forefinger and thumb - watch those new arrivals integrate with the existing community.

Truly, all human life is here, and if one can deplore the demographic and macro-economic trends that make this inevitable, one can at least draw some enjoyment from the sight of 'the other'.

One of the other joys of the neighbourhood is the proximity to a park, where I often take Bumwad Junior for some fresh air and diversion. She has graduated recently from the swings to the climbing frame, and, gradually understanding the effects of, if not the science behind, friction, is mastering the ‘feet up’ position needed to negotiate the slide at speed.

Joyous though it is to watch BuJu enjoying herself in a safe environment, however, what keeps me entertained on these occasionally repetitive visits – although it is important to keep an open mind, it is fairly clear to me that, if you’ve seen one slide, you’ve seen many; and fart around as they might with palettes and textures, I’m forming the view that there is little that the creative geniuses of Image Playgrounds Ltd can do to surprise me – is people-watching. And it will not surprise either of my readers to learn that it is the habits of dress as much as anything else that I ponder; and that I am most pre-occupied by the regrettable laxity of dress exhibited by the adult male.
One of the themes emerging from earlier threads is the yawning gap between the sexes with regard to standards of turn-out in public, perhaps most vivid at weddings, but equally conspicuous in most of our shared public space.


Now of course it is possible to exaggerate - for reasons no doubt of psychosexual problems connected with the Church and one’s own childhood - the standards of appearance of the modern Englishwoman. Certainly if one were to abandon all sense of propriety and throw a stone at random down the local high street, it would stand as much chance of striking a sullen, inarticulate drab in low-slung tracksuit trousers and fake Uggs as it would of bouncing off the bonce of a suburban goddess like Betty Draper Francis. But even if such an idealised form of the lover-housewife-mother-of-God exists only in the imaginations of writers of modern US TV drama and 1970s BBC sitcoms, at the park or the birthday party the Yummy Mummy has no masculine equal.


January Jones: a rarely sighted on the British high street

But what is also obvious is the extent to which modern Englishmen are not only far less presentable than their wives, but now are routinely trounced in the style stakes by their offspring. Time was that children were dressed as smaller versions of their parents. I recall as a boy being forced into 'my party clothes', which were essentially child-sized versions of the clothes the adults in my family wore - dark cords or faux flannel 'slacks,' proper collared shirts, a pullover and, I expect at some point, a clip-on elasticated bow-tie (which, admittedly neither my dad nor his dad would ever have worn).

This is still true up to a point, but it cannot be coincidence that the best-quality childrenswear is continental or northern American in origin: Marie Chantal, La stupenderia, Bonpoint, Rachel Riley, H&M, Gap, Petit bateau etc. Only the Little White Company and Trotters really fly the English (if made in Malaysia) flag. All of these places enabe to dress your child traditionally, if not cheaply, as a sort of 'mini-me' of the idealised preppy/Eurotrash/Sloane uniform.

But if little Charlotte, Sophia and Lily are miniature versions of their mothers, the kit worn by George, Ludo, Jake and Mohammed to Cosmo's fifth birthday party is almost certain to bear no resemblance to any outfit that their fathers have worn since leaving boarding school. Indeed, far from being a suitable sartorial role model for his young son, the modern British dad is more likely to dress like his ten-year old self – to dress more childishly than his own children.

This, I can only speculate, is because the mother dresses the child, and brings to the task the sense of propriety evident in her own typically high standards.

So let us behold the modern male - the middle class version by far the most egregious offender because he should know better - left to his own devices and 'free' to assemble from his wardrobe some suitable 'leisure-wear' for the same party.  Here he comes, shuffling up the path in his shop-faded and distressed denim 'jeans', the crotch of which - whether he wears a belt or not - hangs between groin and thigh, so that he could in silhouette pass for Dick van Dyke’s penguin impersonation in Mary Poppins. Above the waistband of these poke his undergarments, turning this most intimate of apparel into a crude and intrusive advertising hoarding for a pants-peddler, and thus which for its intended effect demands that it be visible, inverting the traditional and surely correct purpose of underclothes. His t-shirt advertises a television programme, a band or a film, or might contain an obscene or 'ironic' slogan, but is in any event unlikely to be free from a design of some sort.

If he wears a shirt – and there’s formal for you! – and if it has tails, it will announce the fact as they protrude from his clothes - violating the very purpose they serve. His sneakers are laced badly, if they are laced at all - it is rare that I find myself at one with the Health & Safety Executive but that surely is no practical example to an infant.

In extremities of cold weather he sports an artificial-fibre fleece or other leisure wear - redolent more of the north face of the Fellhorn than the North End Road - and resembles nothing so much as an infant in a romper suit. The ubiquitous beeny hat crops his skull, giving it the ovoid, featureless appearance of the babe in arms, and conceals, if not male pattern baldness then probably not a haircut but a hairstyle - probably the only aspect of his appearance to which he has given any but cursory thought, and quite possibly spending longer 'styling' it, and with more products, than his wife.

Allow me a moment as I try to recall occasions on which my grandfather deliberately displayed his underwear or had his shirt-tails hanging out in a public space…

Nope... Nothing springs to mind.

Well, I do not say definitively that this occurrence could never have happened. It is in fact possible to hypothesise circumstances in which both events might indeed have come to pass, although surely the two developments would be related, and gin would probably be a common factor if there were no other. But it would have been a point of shame for him, an example of a regrettable lapse of judgement or sobriety. It would certainly not have arisen as a result of a deliberate decision, made with a clear head, that it was acceptable to leave the house in such a state, still less that it would be regarded by his peers, not as an embarrassing error requiring immediate correction, but as a ‘valid’ ‘expression’ of his ‘lifestyle’. That it is possible for young men to entertain such beliefs, and for those who shape and dictate 'style' to those impressionable and vulnerable waifs to encourage them in that, surely erroneous, belief before my grandfather's cohort are even cold in the ground illustrates the dizzying speed with which our standards deteriorate, and the difficulties inherent in any attempt to not only arrest but reverse that decline. It surely cannot be too alarmist to predict that, within the lifetime of my younger readers, it will be acceptable for an adult British male to wear a nappy and suck on a dummy.


The Member for Kirkcaldy and Cowdenbeath relaxing at home.

How has this come to pass, and why is it sustained?

The brilliant Michael Bywater - I feel like I demean him just by citing him in this blog - addresses this tendency in his excellent Big Babies (link opposite and extract here) where he notes the distinction between a hat and a 'hat' - that it is now impossible simply to wear a hat, and that doning that item makes you, to other people, 'a hat wearer'. All our consumer choices have been made - by advertisers and that strange breed known once as 'trouser journalists', their parasites in the 'style' media - into 'lifestyle' choices, in which once-simple decisions - 'It is starting to get cold. I need a hat.' - have significance forced upon them. Bywater - forget Craig Brown, he is the funniest writer in England today, a sort of print Jonathan Meades -  de-constructs advertising and 'brand positioning' for watches, targeting Pulsar and Seiko (pitting what the advertiser tells you that 'owning a Pulsar' says about you against what owning one really says about you - which is best summed up as 'I can't afford a Seiko') and the phenomenon of the pilot's watch.

He is particularly sharp on the dismal Patek Phillipe adverts run in the Spectator - the ones populated by generically 'handsome' models presumably chosen for their fancied resemblence to, for example, a southern European aristocrat who looks like he has a successful carrer in global finance, or at least a Home Counties bigamist doing a passable impression of one, looking paternal towards a sullen and badly-raised IdentiKit son, staring with dumb insolence beyond the camera to the nasty plebs, a demeanour occasioned no doubt by the realisation that his parents have pimped his arse to the agency for money.

'You never actually own a Patek Philippe. You merely look after it for the next generation.' As Bywater notes, the 'actually' and 'merely', despite appearing redundant in terms of the construction of the sentence, are crucial. If you never 'actually own' one, implicitly you 'never actually' spend the £3,000 to buy one; and if it's really for young Konrad here, why, it's not being selfish, it's an investment; et, entertainingly, cetera... 


Arbeit macht frei, Kraft durch Freude etc

He then goes on describes a former neighbour who had a 'hunter-gatherer' uniform for his trips to Waitrose - the full early 80s Sloane Ranger get-up, Hunter wellies, Barbour, Tattersall check shirt, tweed coat, flat cap etc.

While Bywater is, to my mind, spot on in the fraudulence and pretty transparent insinuations of the advertising-trouser hack interface of deceit, he doesn't make the, to me, obvious connections between the broader social trend towards infantilising - everyone, from the sign on the Tube to the Prime Minister, talks to you like you're an idiot who needs protecting from himself and the consequences of his decisions, and then makes your decisions for you - to the specific, concrete examples of the man-child, the 'kidult', who has been cut adrift from himself by the erosion of 'the rules' of dress, has no personal frame of reference from which it is 'cool' to draw guidance, and consequently has to be told what to wear by strangers and companies.

To me, the crucial point is that, even if his Barbour-clad neighbour had his choices influenced, if not dictated, by Peter York, the FT Weekend 'Life & style' section and Country Life, at least the appearance he has cultivated is identifiable - to a child - as 'an adult', if not as an adult. At least there is a visible gap between the style of the nursery and the style of the drawing room. At least there is evidence of difference, and hence the existence of boundaries and the possibility of authority that this implies. At least, by asserting or implying that 'this is how an adult/an 'adult' dresses,' it does not betray the crisis of authority implicit when a father dresses like his son.

Far from the ludicrous assertion by the absurd Danny Baker, spewed from his maw at the height of the 'lad' cult of the mid-90s, that his 'generation' is the first to be 'cooler than our kids', it is more likely that his media cohort is the first to have achieved the influence to be able to make such a stupefyingly crass comment and expect listeners to admire him, when the proper and surely instinctive responses are, depending on your pre-disposition, either to feel sorry for him and hold him up as an example of what can happen if you don't eat your greens/tidy your room/stop touching yourself 'down there'; to put him on the naughty step for a good long think about he's just said; or, for the more traditionally-minded, to take his trousers down and give the little bleeder's arse a damn good tanning.


This man thinks he is cooler than his own children.

There is a regression at work here that is neither laudable nor particularly amusing in what it suggests about contemporary British society.

The only proper response is to look such folly in the eye and, recycling, as a more achievable and therefore more morally serious statement of intent, the vacuous posturing of the Iraq anti-war crowd, say ‘Not in my name!’ I do not want the next generation of Bumwad reminiscing about their father and, in their minds’ eyes, to see a slovenly, slack-jawed oaf in a t-shirt, belching and stumbling across the lawn with his trainers hanging off and his denim trousers around his ankles.

There is probably a deflating, self-mocking punch line to that paragraph, but I cannot think of one.

Nighty-night.

Tuesday, 26 October 2010

Weddings Part 3: London Match*

A very dear friend from university was married a couple of weeks ago in central London, mere stops up the Piccadilly Line from the Bumwad pied a terre, in Halkin Street at the Caledonian Club (aka the Scottish embassy). It promised to be a truly joyous occasion, and one of the few weddings I have looked forward to without reservation.

One of those reasons was purely selfish. As an adoptive Londoner, weddings in the city are always most agreeable because one is not made captive to the unscrupulous and rapacious demands of the provincial hotelier, traditionally the most chiselling breed of scoundrel, notorious for his determination to rob blind at every opportunity the starry-eyed and naïve visitor from the capital, unmanned as he is by the smell, bustle and endless noise of the countryside, and reluctant to give offence to his occasionally less self-effacing cousins.


And apparently some people think bankers are greedy
Thanks to the hosing down with cheap money - from the credit fire hydrant tended by the Brown-Balls axis of evil - given to rural Britain and its cohort of agri-businessmen, intensive farmers, former Stasi hobby B&B owners, gypsies, travelling tinkers and milkmen, no longer can a couple of metropolitan swells like yours truly and his trusty retainer The Snookmeister enter a rural inn at 11 a.m, drink fourteen pints of ye host’s finest foaming nut-brown ale, eat enough packets of Big D peanuts to work out that the comely maiden on the cardboard backing is – what a swizz! - wearing a bikini, spin a dozen magic tunes on the juke box (latest addition – Now 17), accidentally say 'cock' in front of a minor, hog the pool table for two hours, purchase protection from the local tough guys with cider and tinned salmon, be sent home reeling at two a.m. and still have change from a tenner. Oh no.


The author and his trusty companion The Snookmeister
in the good old days

Now even the meanest village boozer routinely charges prices for second-rate and chewy bitter, at best optimistically but almost certainly fraudulently described as 'best', farted inexpertly from a gas-assisted pump by an educationally subnormal and semi-literate adolescent with an aggressive STD, that would appear exorbitant in the most achingly bleeding-edge pop-up bar in Clerkenwell.
As for food, the less said about the belief, apparently widespread beyond TfL Zones 1-2, that slow-roasted pork belly - prepared ideally to the directions of notorious fat-tongued Mockney fascist twat Jamie Oliver - represents the snow-capped summit of culinary achievement the better.

And, if by any cruel ordering of your fate you should be forced by environmental disaster into engaging a 'suite' of poorly-proportioned and lamentably decorated rooms, or tempted on a whim by misguided fancies of finding a hidden, 'unspoiled' good-value gem into negotiating the entirely arbitrary rules on ordering food - 'last orders was at 1, kitchen shuts at 1.30' - and by pleading impending malnutrition find yourself permitted to order a miserable spadeful of 'home'-'made' sponge-cake coated in a mud-like confection, bearing a tiresomely playful passive-aggressive nickname intended - at a time of the owners' dictating - to bully your lady friend into ‘naughtily’ having a tenth-rate pudding on which the profit margin is around 400%, chosen from a laminated menu in 'Lucida calligraphy' font, proffered by a surly central European with fat ankles and an inflated sense of her ability to apply her boss’s orders to work the femme fatale vibe, one is harassed by email for weeks thereafter to make childlike cooing noises about the ‘friendliness’ of the experience on TripAdvisor or Google.
Well, mirabile dictu, not for Mr & Mrs B this unfortunate ritual. Oh no. We left Bumwad Junior (or 'BuJu' as she is known to the tabloids) in the capable hands of our fragrant and beautifully-mannered Oriental baby-sitter, knocked back a few quiet preparatory pints in the Nag’s Head and had a light and sensibly-priced lunch at Zafferano, before taking a jaunty stroll across Belgrave Square for the appointed hour. Better than paying £25 for a plate of disintegrated hog flesh and a greasy glass of fizzy faux continental lager in The Horse-rapist's Arms. And we were home to Bumwad junior by 6pm, saving £10 on baby-sitting. As the fat-tongued twot would doubtlessly slavver, semi-intelligibly, "Happy days..."
But if the London wedding posed far less of a logistical challenge than that presented by the long haul to Orta San Giulio, it did raise certain questions at the socio-sartorial nexus that required a few ‘from first principles’ thoughts.
First, there was no clear direction on dress, beyond a sort of ‘wear what you will’ pseudo-clarification in the FRAGO to the OPLAN. Secondly, it was for one of the participants a second wedding, but for the other it was their first, and, we fervently pray, only, dipping of their toes into the marital waters. Although the earlier marriage had not been annulled, no informed observer could regard that unfortunate episode as fully a marriage, even within the looser terms of the Anglican rite in which it was performed, involving as it did a level of dishonesty that would have been remarkable on the pages of Take a break, and certainly nothing to be wished upon an old and much-loved friend. None the less, to one such as me, with my doctrinaire tendencies, this would surely have to be a consideration.

Thirdly, instructions directed at the significant service contingent suggested that, if uniform were to be worn, many would turn to Service Dress rather than the more formal orders, worn rarely except on public duties. As the more technocratic, female-heavy (and heavy female) corps are rarely called upon to discharge such duties, as a rule their officers do not possess the more formal orders of dress. It should be noted of course that service dress is the correct attire for a military wedding conducted in war time - but could one trust today’s brand of junior officer, typically a product of the meritocratic society, to know that? And Service Dress is the military equivalent of lounge suits, despite appearing to the modern Briton unfamiliar and therefore somewhat more formal. But if there were to be a guard of honour and Number 1 Dress (Levee Order) were the 'squad solution', surely the proportionate civilian response should be morning dress?

This was shaping up to be an encounter with the matrimonial version of the Keynesian beauty contest, of which I spoke in an earlier post. 

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Pondering some last-minute amendments to the best man's speech
(wartime option)


An Intelligence Corps subaltern in barrack dress
Now, as the blushing bride had in an earlier incarnation worked as an interior designer, and has always been a girl who takes some notable and successful efforts with her presentation, it was obvious that she would not be wholly oblivious of her guests’ attire, despite the distractions of the day. Equally it seemed likely that, being a fairly staunch traditionalist herself, she would observe convention and be reluctant to go the full nine yards by wearing an elaborate trousseau. It was, after all, a civil service, and her outfit must surely be in some way proportionate to the dignity of the occasion.

But, at the same time, even if she had not formally written off marriage #1, it was as if it had never been – and it would be churlish to present one's self in a lounge suit and to maintain that this was the correct gear and that the rest of the guests and the wedding party themselves were wrong. As the cloth-eared priggish route is precisely that which my twenty-year old self would have taken, I have some small measure of pride in the blossoming maturity illustrated in my perception of the unsatisfactory nature of this course. The longest journey, after all, begins with - well, something or other.
For confirmation of this tentative sketching of a solution, little could be gleaned from my inadequate knowledge of the groom. All I knew – thought I knew – of him was that he was some kind of investment banker, and that he had once been an accountant. I had no idea how old he was – from our brief acquaintance, it seemed he could be a prematurely aged thirty-year-old, or a youthful forty-five. After all, having read American psycho, I know how carefully those bankers look after themselves.


An investment banker relaxing at home.
(Note effects of thorough skin-care routine.)
Accountancy suggested a concern for details, but the very few accountants I know take an interest in their appearance that could charitably be described as visible, attending as they seem to observe basic rules of public health and decency, but which is certainly far from obsessive. Would the man of detail predominate, or would the practical man of business? This avenue was turning into a cul de sac.

Matters were confused further by my flirtations with continental weddings this year. I have become quite seduced by the low-key, quietly elegant approach, and which we discussed in the last post. Indeed I remain confident that, in a plain, dark blue suit, I am more effortlessly debonair than many a meaner figure in morning coat, silk topper and spats.
Reader, of course, I erred on the side of caution, driven by my intuition, like that of many a lower-middle class woman of a certain age contemplating the cancellation of a soiree in the aftermath of Princess Diana's death, that 'it's what she would have wanted'... Morning coat it was to be, and hang the effort, discomfort and mild flirtation with over-dressing that it represented...
In the end, this proved wise. The squad average was morning coat, reflecting no doubt the relatively high proportion of army officers, with a few smart suits for the 'creatives'  - and those determined to simulate the appearance, if not the work ethic or output, thereof - and the teenagers. Indeed, if we were to stand back and regard the scene on the grand scale - perhaps with David Lean directing (though surely he would have struggled to expand the constraining dimensions of the courtyard of the Caledonian Club to fill a Panavision screen) - we would see a profusion of dark cloth and waistcoats, of floral patterns and fascinators. As it should be.

It would only be through the lens of a Mike Leigh or a Noah Baumbach that we would notice the smear of lipstick on the teeth, the rogue bra strap, the badly-knotted half-windsor - It would be mean-spirted to recall such details, of course - but this isn't the best man's speech or the wedding album, but a sort of post-match commentary. If we are ever to learn, it is important that we must recognise our mistakes as much as our successes, and that's the point of this post, indeed, of this blog. I'm the thorn in your shoe, the python in the toybox, the prostitite who calls your wife.
Not literally, of course.
Now, in spite of some commonly-agreed basics, 'morning dress' is not a fixed entity: much is determined by the way in which the basic articles of the outfit are assembled and worn. Like austism, one's own version of morning dress exists on a spectrum. Like army officers for whom 'uniform' is a noun not an adjective, and among whom it is rare to find any tw dressed alike even when nominally in the same rig, on this occasion there was an array of appearances.

My own morning coat - the result of a tortuous and extremely demoralising process that resulted in a permanent divorce from my then tailor - is a pretty standard black Melton cloth with a very fine herringbone, and silk piping on the lapels and most edges. I also had turn-back cuffs applied - one of the points of friction with the cutter - and button-holes on the points of the tails, to give fresh life to the vestigial buttons in the small of the back, to which the tails were fixed when riding or otherwise seated. This I wear with a black double-breasted waistcoat and sponge-bag - houndstooth - trousers, and plain black shoes, usually a monk shoe but sometimes a simple slip-on. I usually wear a dark tie from Mrs Willis. Her ties are discreetly patterned - her shepherd's check are particularly smart - and of a very good weight for morning dress. I usually wear a white or pale blue shirt from Mr Budd, with a stiff collar and double cuffs, with plain silver cufflinks; or a plain silk shirt with my cherished cocktail cuffs if I feel dangerously avant derriere.

(One of the reasons I have been tempted in recent years away from morning dress is my deep dissatisfaction with my morning coat. The turned-back cuffs are lined, wholly impractical for cloth of that weight, and so do not lie correctly. The cloth has too much spring in it, so the seams bulge and pucker, even when the garment is hung. The chest-pieces do not float so much as fly, granted wings by the patron saint of shitty workmanship. Above all, it just does not fit. The man who made it left the company before it was finished, and his colleagues struggled manfully to correct the errors, but to no effect. It was with some amazement that I read that the buffoon who built it is now masquerading as a head cutter - head cutter! Not shit-boy or hat-stand! - at an established family firm on Savile Row. Truly staggering, like making Gordon Brown director of the IMF and World Bank. (This of course could actually be entertained as a serious proposition in the Bizarro World in which Labour claims to speak for the middle classes and a gurning adenoidal wonk can become leader of the party of Attlee and Healey...) I am tempted to show his current employers my morning coat and invite them to reconsider - but that would be wanton cruelty. Also, the tightwad in me rejoices somewhat that the firm employs not only grossly incompetent craftsmen but grossly incompetent billing staff, who have failed to charge me the balance in spite of my - admittedly not exhaustive - attempts to seek clarification from them...)

But what I flatter myself to describe as 'attention to detail' is not observed uniformly, even by those types who default to morning coat. And on this occasion, there was indeed a profusion of the 'surly ten-year old' look noted in my earlier post: the exposed portion of midriff where trousers and waistcoat are reluctant to meet; the tie that does not fit the collar; the collar that does not fit the shirt or the neck; the dirty shoes; the garish waistcoat or 'fun' socks that squeal that "I'm fun!!! Just because I work in an office doesn't mean I have to be buttoned up to eleven!!!"

Richard Curtis, as usual, has much to answer for.


A target-rich environment


He couldn't even be arsed to comb his stupid hair.

Other than the novelty waistcoat, for which there really can be no decent excuse, one of these lapses, two even, might be excusable - provided it were the result of genuine haste, and thus possible to remedy, rather than the consequence of a desire to simulate the kind of pressure that distracts from attention to such matters, the desire to state by appearances either that the wearer has loftier things to ponder; or that, having given them thought, decided such matters are of little consequence; that he is, in effect, above or beyond the need for conformity.

Now, don't get me wrong: I'm not advocating that everyone look box-fresh and neat like Remington Steele. I'm a great one for wearing my favourite clothes until they are beyond repair. I dislike the feel of new clothes - a shirt is not comfortable until the fifth or sixth laundering - and a love for clothes need not - should not - be synonymous with a descent into omnivorous, undiscriminating, joyless consumption. There is much virtue on many levels in the traditional English horror of looking like an arriviste who has just bought all their clothes in one go - for example, the 'instant English wardrobe' pioneered by Hackett and which is typically availed by the Sandhurst-bound provincial or Euro banker who for reasons of time management, judgement or confidence are reluctant to make their own, informed and considered decisions - and in recoiling from any impression of ostentation.


I don't want this.

But it is possible to take the old practices of inverted snobbery and make them tiresomely conspicuous, and it is that fine line which is never so often - nor so violently - breached than at the modern British wedding. Yes, it is bad form to care 'too much' - but that does not mean that it is bad form to care.



But is this really too much to ask?

Too many young men - it is rare to find a lady of any background who thinks she is too important or too busy to need to make an effort - are today ill-equipped to appreciate that distinction. The customs, that once were written not in stone but on the hearts of men, exist now only in bastard form - a photocopy of a handwritten summary of a precis of some notes written from memory and inaccurately recalled, perhaps during a mirthless and drink-sodden supper, taken alone on the fourth anniversary of the death of a close relative. The rituals that reinforced the practice are diluted. The institutions - family, school, church, even employer - that would once have provided the moral framework no longer have themselves the confidence - or the authority - to do so. And if their tutoring has been inadequate, there is little hope for their children, for where will the boundaries of the next generation be set?

Their mothers, I suppose; but again we pile upon these blameless creatures, who typically provide sound sartorial role models for their daughters, responsibilities shirked either by choice or apathy by their fathers - or the tyranny of society's low expectations. 

Well, I suppose an optimist would say "At least they wore morning coats." To which the prig in me cries with exasperation "But why did they bother if they didn't want to do it properly? Isn't it frankly better not to have bothered than to have bothered and still managed to look like a blessed tramp?!"

I see I am now at risk of repeating myself, and at tedious length, so perhaps it is sensible to end here.

* The final volume in Len Deighton's first Bernard Samson trilogy, preceded by Berlin Game and Mexico Set and succeeded by Spy Hook, Spy Line and Spy Sinker, at which point he wasn't really trying on the titles front.